Vows is a compelling story of one family's unshakable faith that to be called is to serve, however high the cost may be. Peter Manseau's riveting evocation of his parents' parallel childhoods, their similar callings, their experiences in the seminary and convent, and how they met while tending to the homeless of Roxbury, Massachusetts, during the riot-prone 1960s is a page-turning meditation on the effect that love can have on profound faith.
Product Details
ISBN-13: 9780743249089
Media Type: Paperback
Publisher: Free Press
Publication Date: 10-17-2006
Pages: 416
Product Dimensions: 5.50(w) x 8.44(h) x 1.10(d)
About the Author
Peter Manseau is the author of Vows and coauthor of Killing the Buddha. His writing has also appeared in The New York Times Magazine, The Washington Post, and on National Public Radio's All Things Considered. A founding editor of the award-winning webzine KillingTheBuddha.com, he is now the editor of Search, The Magazine of Science, Religion, and Culture. He lives with his wife and two daughters in Washington, D.C., where he studies religion and teaches writing at Georgetown University.
Read an Excerpt
Read an Excerpt
Prologue
My parents don't remember their earliest conversation. What was said when, who spoke first and why: these are details almost forty years gone. All my father can tell me is that he met my mother in his storefront ministry center in Roxbury late in the spring of 1968. A year before, he had rented an abandoned funeral home on Shawmut Avenue, propped open the doors to thin the stench of flowers and embalming fluid, and hung a sign out front declaring that all were welcome. A few months later, someone threw a metal trash can through the plate-glass window beside the entrance. He covered the hole and cleaned up as best he could, but there was no end to the mess that had been made.
When my father describes the room in which he met my mother, he is always sure to mention the biblical murals that decorated the walls. I suppose he likes the image of the two of them surrounded by life-size portraits of prophets and saints, but my mind is drawn instead to all that stubborn glass, to tiny slivers working their way deep into the shag carpet, catching light whenever the overhead fluorescents were on.
Wednesday evenings, Dad tells me, he would walk down Fort Hill from the All Saints rectory and preach in his storefront to whomever would listen. Sometimes he drew a crowd that filled five rows of folding chairs: families from the Lenox Street housing projects, drunks from Blue Hill Avenue, a handful of sisters from the convent nearby. One night the woman who would be my mother was among them. They all sat together with the soles of their shoes crunching the carpet below; singing, clapping, praying in a building that still wore scars from the previous summer, the season when the city burned.
That's how I imagine the scene of my parents' meeting, as a series of contrasts and contradictions. Standing between a cardboard-patched window and scripture-painted walls, half-buried shards twinkling like stars beneath them, they made their introductions in the middle of a storefront with nothing to sell. He was a Catholic priest wearing a white plastic collar like a lock around his neck. She was a nun in a virgin's black veil.
What did they say? Too much has happened since then; it's no surprise they can't remember the simple greeting that started it all. Whatever the words might have been, I know they were spoken in a place full of the kind of faith with which I was raised, the kind of faith that knows how close hope and pain are to moments of possibility; the kind that sees something holy in that broken glass at their feet, splinters of grace that cut as well as shine.
READING GROUP GUIDEVOWS The Story of a Priest, a Nun, and Their Son Peter Manseau
Vows: The Story of a Priest, a Nun, and Their Son Peter Manseau
Questions and Topics for Discussion
1. Is Vows a story of vows made, or vows broken? How would you describe this book—as a love story, a religious journey, or both? Discuss the symbolism of the title, and the dual meaning that is implied.
2. Author Peter Manseau follows his mother and father through their childhoods, details their years of religious training, and recreates their inner worlds. How, as a writer, does Peter accomplish this? How does he give voice to each individual character? Discuss the unique use of language and narrative structure in Vows.
3. If the Manseaus’ story had been told by someone other than their son, how might it have been different? Would you have felt differently about these characters had you read about them in a newspaper, or heard about them on the news? And if so, do you think you would have been more or less interested? Sympathetic? Opinionated?
4. Peter believed that his family had been shaped “first and foremost by the fact of [his] father’s vocation”—until he uncovers the evidence of his mother’s scandalous secret in the form of correspondence, press clippings, and legal documents. Discuss the journalistic process through which Peter learns the truth about his mother . . . and his own family history.
5. Mary’s religious training dates back to her early years at St. Margaret’s Elementary where she was taught—as the school pamphlet from the time puts it—“the love of God, and all that love implies and demands in the way of self-control and obedience to the Ten Commandments and the practice of Catholic truth.” In your opinion did Mary follow or stray from these teachings throughout the course of her life? Discuss the evolution of Mary’s religious identity.
6. It can be said that the one thing every religion has in common is storytelling—from the Greco-Roman myths to the Old and New Testaments. What is so powerful about a story? How sacred is the written word? What can be revealed from the Manseaus’ story? Is there a “moral” to Vows?
7. Many stories have emerged in recent times about the subject of sexuality in the priesthood. How, if at all, does the story of William Manseau’s time in the seminary change or confirm your ideas about the state of the Church in America? Discuss the ways in which Vows puts such controversial issues as the sex-abuse scandal, celibacy, homosexuality, gay marriage, even abortion into new context.
8. What questions are you left with after reading Vows—about William and Mary Manseau, the author, and yourself? How might you, as a group, go about answering them? Do you think the subject of religion is best kept private? Or do you believe that discussing our beliefs can help us to better understand, respect, and tolerate one another?
What People are Saying
What People are Saying About This
From the Publisher
"Readers seeking detached biography will not find it in this wry and deeply affectionate tribute. Seductively well written, occasionally polemical, Manseau chronicles a son's attempt to make peace with the mysteries of faith and family."