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Women and Economics

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"Women and Economics" by Charlotte Perkins Gilman: A Pioneering Work on Gender, Society, and Economic Empowerment

"Women and Economics" stands as a groundbreaking feminist work by the visionary author and social critic, Charlotte Perkins Gilman. Published in 1898, this book defied convention and ignited conversations that would continue to shape the course of gender equality, women's rights, and economic empowerment.

Key Highlights:

1. **Trailblazing Feminism:** Gilman's work is a cornerstone of early feminist literature, where she challenges prevailing notions of women's roles in society, economics, and domestic life.

2. **Economic Independence:** "Women and Economics" advocates for women's economic independence and argues that economic self-sufficiency is essential for women's autonomy and overall well-being.

3. **Critique of Gender Norms:** Gilman dissects societal norms and expectations placed on women, highlighting how these norms constrain their potential and self-fulfillment.

4. **Domestic Labor:** The book delves into the often-overlooked realm of domestic labor, proposing innovative solutions to ease women's dual burdens as homemakers and contributors to the workforce.

5. **Maternal Evolution:** Gilman explores the implications of the traditional motherhood role and suggests that mothers can better serve their children when unburdened by excessive domestic labor.

6. **Educational Equality:** She underscores the importance of equal education for women, a concept that remains relevant today in the pursuit of gender parity.

7. **Societal Reform:** Gilman's writings advocate not just for individual change but also for systemic reform in societal structures to enable women to achieve their fullest potential.

8. **Legacy:** Charlotte Perkins Gilman's ideas in "Women and Economics" laid the foundation for the women's liberation movement, influencing future generations of feminist thinkers and activists.

"Women and Economics" remains a powerful and influential work that continues to resonate with readers, scholars, and activists alike. It addresses gender equity, women's economic roles, and societal reform in ways that are as relevant today as they were when first penned over a century ago.

For readers interested in women's rights, gender equality, and the ongoing struggle for economic empowerment, Charlotte Perkins Gilman's "Women and Economics" is not just a historical document but a timeless call to action and a testament to the enduring importance of these issues.

ISBN-13: 9781774818244

Media Type: Paperback

Publisher: Paper and Pen

Publication Date: 10-20-2023

Pages: 204

Product Dimensions: 9.00h x 6.00w x 0.43d

Charlotte Perkins Gilman (1860-1935) was an American author, feminist, and social reformer. Born in Hartford, Connecticut, Gilman was raised by her mother after her father abandoned his family to poverty. A single mother, Mary Perkins struggled to provide for her son and daughter, frequently enlisting the help of her estranged husband’s aunts, including Harriet Beecher Stowe, the author of Uncle Tom’s Cabin. These early experiences shaped Charlotte’s outlook on gender and society, inspiring numerous written works and a lifetime of activism. Gilman excelled in school as a youth and went on to study at the Rhode Island School of Design where, in 1879, she met a woman named Martha Luther. The two were involved romantically for the next few years until Luther married in 1881. Distraught, Gilman eventually married Charles Walter Stetson, a painter, in 1884, with whom she had one daughter. After Katharine’s birth, Gilman suffered an intense case of post-partum depression, an experience which inspired her landmark story “The Yellow Wallpaper” (1890). Gilman and Stetson divorced in 1894, after which Charlotte moved to California and became active in social reform. Gilman was a pioneer of the American feminist movement and an early advocate for women’s suffrage, divorce, and euthanasia. Her radical beliefs and controversial views on race—Gilman was known to support white supremacist ideologies—nearly consigned her work to history; at the time of her death none of her works remained in print. In the 1970s, however, the rise of second-wave feminism and its influence on literary scholarship revived her reputation, bringing her work back into publication.