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Awake in the Dark: The Best of Roger Ebert: Second Edition

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For nearly half a century, Roger Ebert’s wide knowledge, keen judgment, prodigious energy, and sharp sense of humor made him America’s most renowned and beloved film critic. From Ebert’s Pulitzer Prize to his star on the Hollywood Walk of Fame, from his astonishing output of daily reviews to his pioneering work on television with Gene Siskel, his was a career in cinema criticism without peer.

Arriving fifty years after Ebert published his first film review in 1967, this second edition of Awake in the Dark collects Ebert’s essential writings into a single, irresistible volume. Featuring new Top Ten Lists and reviews of the years’ finest films through 2012, this edition allows both fans and film buffs to bask in the best of an extraordinary lifetime’s work. Including reviews from The Godfather to GoodFellas and interviews with everyone from Martin Scorsese to Meryl Streep, as well as showcasing some of Ebert’s most admired essays—among them a moving appreciation of John Cassavetes and a loving tribute to the virtues of black-and-white films—Ebert’s Awake in the Dark is a treasure trove not just for fans of this era-defining critic, but for anyone desiring a compulsively readable chronicle of the silver screen.

Stretching from the dramatic rise of rebel Hollywood and the heyday of the auteur to the triumph of blockbuster films such as Star Wars and Raiders of the Lost Ark, to the indie revolution that is still with us today, Awake in the Dark reveals a writer whose exceptional intelligence and daily bursts of insight and enthusiasm helped shape the way we think about the movies. But more than this, Awake in the Dark is a celebration of Ebert’s inimitable voice—a voice still cherished and missed.

ISBN-13: 9780226460864

Media Type: Paperback

Publisher: University of Chicago Press

Publication Date: 04-06-2017

Pages: 544

Product Dimensions: 6.00(w) x 8.90(h) x 1.10(d)

Roger Ebert (1942-2013) was a film critic for the Chicago Sun-Times for more than forty years. In 1975 he became the first film critic to win the Pulitzer Prize. He is the author of numerous books on film, including Scorsese by Ebert, TheGreat MoviesIII and IV, and Two Weeks in the Midday Sun: A Cannes Notebook, all published by the University of Chicago Press, as well as a memoir, Life Itself.

Table of Contents

Foreword David Bordwell xii

Introduction xix

Prologue: Death of a Dream Palace xxxi

Review of La Dolce Vita xxxiv

Part 1 Interviews and Profiles

Introduction 1

Warren Beatty 3

James Stewart 9

Robert Mitchum 14

Mitch and Jimmy: Some Thoughts 21

Lee Marvin 25

Ingmar Bergman 35

Martin Scorsese and Paul Schrader 47

Robert Altman 53

Werner Herzog 59

Meryl Streep 64

Woody Allen 68

Spike Lee 75

Tom Hanks 82

Errol Morris 93

Steven Spielberg 98

Part 2 The Best

Introduction 103

1967: Bonnie and Clyde 105

1968: The Battle of Algiers 108

1969: Z 110

1970: Five Easy Pieces 113

1971: The Last Picture Show 115

1972: The Godfather 118

1973: Cries, and Whispers 121

1974: Scenes from a Marriage 124

1975: Nashville 127

1976: Small Change 131

1977: 3 Women 133

1978: An Unmarried Woman 135

1979: Apocalypse Now 138

1980: The Black Stallion 141

1981: My Dinner with Andre 144

1982: Sophie's Choice 147

1983: The Right Stuff 149

1984: Amadeus 151

1985: The Color Purple 154

1986: Platoon 157

1987: House of Games 160

1988: Mississippi Burning 163

1989: Do the Right Thing 167

1990: GoodFellas 170

1991: JFK 173

1992: Malcolm X 177

1993: Schindler's List 181

1994: Hoop Dreams 184

1995: Leaving Las Vegas 188

1996: Fargo 191

1997: Eve's Bayou 194

1998: Dark City 197

1999: Being John Malkovich 200

2000: Almost Famous 202

2001: Monster's Ball 205

2002: Minority Report 208

2003: Monster 211

2004: Million Dollar Baby 214

2005: Crash 217

Part 3 Foreign Films

Introduction 221

Tokyo Story 223

The Music Room 225

An Hasard Balthazar 229

Belle de four 233

The Wild Child 236

Claire's Knee 238

Last Tango in Paris 240

Fellini's Roma 246

Stroszek 249

The Marriage of Maria Braun 251

Wings of Desire 253

Raise the Red Lantern 255

The Scent of Green Papaya 257

Spirited Away 260

City of God 262

Part 4 Documentaries

Introduction 265

Woodstock 267

Harlan County, U.S.A 272

Gates of Heaven 274

Say Amen, Somebody 276

The "Up" Movies 278

28 Up 278

35 Up 281

42 Up 284

Shoah 287

Dear America: Letters Home from Vietnam 293

Crumb 296

Heidi Fleiss, Hollywood Madam 299

Microcosmos 302

Part 5 Overlooked and Underrated

Introduction 305

Thieves Like Us 307

Bring Mc the Head of Alfredo Garcia 309

Saint Jack 313

El Norte 315

To Live and Die in L.A 319

Trouble in Mind 321

Housekeeping 323

The Rapture 325

A Soldier's Daughter Never Cries 328

The Saddest Music in the World 331

Part 6 Essays and Think Pieces

Introduction 335

That's the Way It Is: The Color Purple and the Oscars 337

Legacy of Star Wars 341

John Cassavetes: An Appreciation 345

Why J Love Black and White 349

The Case for an A Rating 354

Well, Are Movies Better Than Ever? 364

A Pulitzer for the Movies 368

Celluloid vs. Digital: The War for the Soul of the Cinema 371

The Most Influential Films of the Century 377

In Memoriam: Pauline Kael 381

Part 7 On Film Criticism

Introduction 385

Twenty-five Years in the Dark 387

Symposium from Film Comment: All Thumbs, or, Is There a Future for Film Criticism? Richard Corliss 394

All Stars, or, Is There a Cure for Criticism of Film Criticism? Roger Ebert 403

Then Again Richard Corliss 416

Auteurism Is Alive and Well and Living in Argentina Andrew Sarris 420

A Memo to Myself and Certain Other Film Critics 430

Epilogue: Thoughts on the Centennial or Cinema 433

Coda: On the Meaning of Life…and Movies 437

Appendix 1 Ten Best Lists, 1967-2012 441

Appendix 2 More of "The Best," 2006-2012 458

Index 483