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Africa's Struggle for Its Art: History of a Postcolonial Defeat - Hardcover | Diverse Reads

Africa's Struggle for Its Art: History of a Postcolonial Defeat

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A major new history of how African nations, starting in the 1960s, sought to reclaim the art looted by Western colonial powers

For decades, African nations have fought for the return of countless works of art stolen during the colonial era and placed in Western museums. In Africa’s Struggle for Its Art, Bénédicte Savoy brings to light this largely unknown but deeply important history. One of the world’s foremost experts on restitution and cultural heritage, Savoy investigates extensive, previously unpublished sources to reveal that the roots of the struggle extend much further back than prominent recent debates indicate, and that these efforts were covered up by myriad opponents.

Shortly after 1960, when eighteen former colonies in Africa gained independence, a movement to pursue repatriation was spearheaded by African intellectual and political classes. Savoy looks at pivotal events, including the watershed speech delivered at the UN General Assembly by Zaire’s president, Mobutu Sese Seko, which started the debate regarding restitution of colonial-era assets and resulted in the first UN resolution on the subject. She examines how German museums tried to withhold information about their inventory and how the British Parliament failed to pass a proposed amendment to the British Museum Act, which protected the country's collections. Savoy concludes in the mid-1980s, when African nations enacted the first laws focusing on the protection of their cultural heritage.

Making the case for why restitution is essential to any future relationship between African countries and the West, Africa’s Struggle for Its Art will shape conversations around these crucial issues for years to come.

ISBN-13: 9780691234731

Media Type: Hardcover

Publisher: Princeton University Press

Publication Date: 04-05-2022

Pages: 240

Product Dimensions: 6.20(w) x 9.30(h) x 1.00(d)

Bénédicte Savoy is professor in the Department of Art History at the Technical University of Berlin and was professor at the Collège de France in Paris from 2016 to 2021. She is the coeditor of Translocations: Histories of Dislocated Cultural Assets; Acquiring Cultures: Histories of World Art on Western Markets; and The Museum Is Open: Towards a Transnational History of Museums. She is the author (with Felwine Sarr) of The Restitution of African Cultural Heritage: Toward a New Relational Ethics, known as the Sarr-Savoy Report. She lives in Berlin.

What People are Saying About This

From the Publisher

“Impressive, well-researched, and beautifully written, Africa’s Struggle for Its Art looks at the long march for the return of artistic treasures to the African continent. This is an instant classic, a masterpiece. There is clearly a need to understand the history of Africa’s demand for the repatriation of its art, and that need is fully satisfied here."—Souleymane Bachir Diagne, author of African Art as Philosophy

“A prequel to present debates on restitution, Africa’s Struggle for Its Art deftly details the tenacity of Africans who demanded the return of cultural property and the persistence of European arguments against it. Bénédicte Savoy’s text is not only a history, but also a forceful directive to Europe to finish the project of repatriation. This is a must-read for anyone who takes seriously the urgency of returning Africa’s stolen patrimony.”—Steven Nelson, dean of the Center for Advanced Study in the Visual Arts, National Gallery of Art

“The current debate about the fate of African art looted by Europeans is not as new as it may seem. In this book, Bénédicte Savoy masterfully combines powerful historical and material sources to show its origins and long history of reluctance, and the accompanying story of a troubling debate failing to become action.”—Ittai Weinryb, author of The Bronze Object in the Middle Ages

“Bénédicte Savoy adds a new and unexpected perspective to the current restitution debate. She reminds us that the quest for the return of African cultural objects goes back much farther than commonly purported and that decades-old arguments for restitution, similar to ones made today, were repeatedly stifled.”—Barbara Plankensteiner, director of the Museum am Rothenbaum–World Cultures and Arts (MARKK) Hamburg

Table of Contents

Preface vi

Introduction 1

1965 Bingo 4

1971 You Hide Me 11

1972 Prussian Cultural Property 16

1973 Zero 29

1974 Increasingly Global 35

1975 Pause 44

1976 "German Debate" 47

1977 Festac '77 58

1978 Attack, Defence 68

1979 A Spectre Is Haunting Europe 89

1980 Battle of Lists 98

1981 Lost Heritage 106

1982 Mexico and the Greeks 116

1983 Bremen 126

1984 Open End 130

1985 Backtothe Future 135

Epilogue 139

Timeline 143

Notes 148

Bibliography 185

Index 208

Photo Credits 214

Plates follow page 86