With their emphasis on freedom and engagement, European existentialisms offered Latin Americans transformative frameworks for thinking and writing about their own locales. In taking up these frameworks, Latin Americans endowed them with a distinctive ethos, a turn towards questions of identity and ethics. Stephanie Merrim situates major literary and philosophical works—by the existentialist Grupo Hiperión, Rosario Castellanos, Octavio Paz, José Revueltas, Juan Rulfo, and Rodolfo Usigli—within this dynamic context. Collectively, their writings manifest an existentialist ethos attuned to the matters most alive and pressing in their specific situations—matters linked to gender, Indigeneity, the Mexican Revolution, and post-Revolution politics. That each of these writers orchestrates a unique center of gravity renders Mexican existentialist literature an always shifting, always passionate adventure. A Latin American Existentialist Ethos takes readers on this adventure, conveying the passions of its subjects lucidly and vibrantly. It is at once a detailed portrait of twentieth-century Mexican existentialism and an expansive look at Latin American literary existentialism in relation—and opposition—to its European counterparts.
ISBN-13: 9781438493183
Media Type: Paperback
Publisher: State University of New York Press
Publication Date: 11-02-2023
Pages: 263
Product Dimensions: 9.00h x 6.00w x 0.60d
Series: Suny Latin American and Iberian Thought and Culture
Stephanie Merrim is Professor Emerita of Comparative Literature and Hispanic Studies at Brown University. She is the author of several books including Early Modern Women’s Writing and Sor Juana Inés de la Cruz and The Spectacular City, Mexico, and Colonial Hispanic Literary Culture.
Table of Contents
Acknowledgments
Note on Translations
1. Engaging Existentialism: Transformative Possibilities and Local Agendas
2. The Mexican Existentialist Ethos
3. The Seminal Mexican Existentialism of Rodolfo Usigli’s Theater
4. Excavating Comala: The Existentialist Juan Rulfo, the Grupo Hiperión, and Lo Mexicano in Pedro Páramo (1955)
5. “Christs for All Passions”: José Revueltas’s El luto humano [Human Mourning]
6. Rosario Castellanos’s Freedom
Notes
Works Cited
Index
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