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Reimagining the Middle Passage: Black Resistance in Literature, Television, and Song

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In Reimagining the Middle Passage: Black Resistance in Literature, Television, and Song, Tara T. Green turns to twentieth- and recent twenty-first-century representations of the Middle Passage created by African-descended artists and writers. Examining how these writers and performers revised and reimagined the Middle Passage in their work, Green argues that they recognized it as a historical and geographical site of trauma as well as a symbol for a place of understanding and change. Their work represents the legacy African captives left for resisting “social death” (the idea that Black life does not matter), but it also highlights strong resistance to that social death (the idea that it does matter).

Exploring the presence of water and its impact on African descendants,Reimagining the Middle Passageoffers fresh analyses of Alex Haley’sRootsand the television adaptations; the history of flooding in Black communities in literature such as Jesmyn Ward’sSalvage the Bonesand Paule Marshall’sPraisesong for the Widow, in blues songs, and in television shows such asTreme; and stories of resistance found in myths associated with Marie Laveau and flying Africans.

ISBN-13: 9780814254714

Media Type: Paperback(1)

Publisher: Ohio State University Press

Publication Date: 04-21-2018

Pages: 210

Product Dimensions: 5.90(w) x 8.80(h) x 0.60(d)

Series: Black Performance and Cultural Criticism Series

Tara T. Green is Professor of African American and African Diaspora Studies at University of North Carolina Greensboro.

Table of Contents

Preface vii

Acknowledgments ix

Introduction Death and Rebirth in the Middle Passage 1

Part I In The Middle Passage

Chapter 1 Understanding the Middle Passage 21

Chapter 2 Alex Haley's Roots of Resistance 40

Chapter 3 Middle Passage Legacies in Charles Johnson and HBO's Treme 68

Chapter 4 Calling Marie Laveau 90

Part II Legacies of the Middle Passage

Chapter 5 Deadly Waters, Southern Blues, and Richard Wright 109

Chapter 6 Katrina Sings the Blues in Jesmyn Ward's Salvage the Bones 126

Chapter 7 Telling of Return and Rebirth in Marshall's Praisesong for the Widow 144

Conclusion Acts of Redemption through Forgiveness: Remembering Charleston in the Post-Middle Passage Era 162

Works Cited 169

Index 176