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Ulysses S. Grant
The Unlikely Hero
Chapter One
In the summer of 2003 Ulysses S. Grant made news all across the country that he had, in his lifetime, done so much to reunite: Some of his descendants, a good part of the more serious press, and the Grant Monument Association objected strongly to pop diva Beyoncé Knowles, accompanied by a "troupe of barely clad dancers," using his tomb in New York City's Riverside Park as the background for a raucous, "lascivious," nationally televised July Fourth concert.
Beyoncé and her fans hardly seemed aware of who Grant was, or why such a fuss should be made about the presence of loud music, suggestive dancing, partial nudity, and a huge, boisterous crowd in front of his tomb, which, as the New York Times pointed out, had once been a bigger tourist attraction than the Statue of Liberty. In fact, except for a few members of the Grant family who had been trying for years to get the bodies of General Grant and his wife, Julia, removed from the tomb on the grounds that it had been allowed to fall into a disgraceful state of repair and decay, the level of public indignation was low. The Times even felt compelled to comment rather sniffily that the general was "no longer the immensely famous figure he once was." Grant's great-grandson Chapman Foster Grant, fifty-eight, however, took a different view of Beyoncé's concert, commenting, "Who knows? If the old guy were alive, he might have liked it."
Knowing as much as we do about the general's relationship with Mrs. Grant -- like President Lincoln, whom he much admired, Grant was notoriously devoted to a wife who felt herself and her family to be vastly socially superior to his and was not shy about letting her opinion on the subject be known; and, like Mrs. Lincoln, Mrs. Grant's physical charms, such as they may have been, were lost on everybody but her dutiful husband -- it seems unlikely that Grant would have allowed himself to appreciate Beyoncé's presence at his tomb. Mrs. Grant, it was generally felt, kept her husband on a pretty tight leash when it came to pretty girls, barely clothed or not.
As for Grant himself, while he had his problems with liquor -- his reputation as a drinker is perhaps the one thing that most Americans still remember about him, that and the fact that his portrait, with a glum, seedy, withdrawn, and slightly guilty expression, like that of a man with a bad hangover, is on the fifty-dollar bill -- no allegation of any sexual indiscretion blots his record. He reminds one, in fact, of Byron's famous lines about George III:
He had that household virtue, most uncommon, Of constancy to a bad, ugly woman. <